Short-form ads
Direct-response creative that has to sell in the first second: hook, proof, offer, close — with captions and inserts doing real work.
See examples
Hello there!
I’m Jayvie Querido,
I’m Jayvie Querido,
Video Editor
Based in the Philippines.
I cut direct-response ads, podcast episodes and branded social — story, captions, motion, colour and mix carried end to end by one pair of hands.
Short-form ads
Podcast editor
Services
Services I provide
Podcast & long-form
Multicam episodes cut end to end — cold opens, chapters, clean audio — plus the vertical shorts pulled from the same master.
See examplesMotion & captions
Openers, lower thirds, word-level caption systems and full-frame type beats that carry the point instead of decorating it.
See examples
Premiere ProAfter EffectsDaVinci Resolve
CaptionsSound mix
About me
Who is Jayvie Querido?
Based in the Philippines, cutting for brands, creators and agencies abroad. One editor on the whole timeline — story, captions, motion, grade and mix — so nothing gets lost between hand-offs. Short-form that has to sell in the first second, and long-form that has to hold for two hours.
9Cuts in this reel
3Full episodes
9:16 & 16:9Delivered natively
My toolkit
Exploring the tools
behind the cuts
Pr
Premiere ProEditAe
After EffectsMotionDv
ResolveColourAu
AuditionSoundCc
CaptionsWord-levelAi
AI assistTranscribeMy latest work
Recent cuts
0:36
Saturated Soil
Storm-risk hook, scripted b-roll and kinetic captions for a tree-care service.
0:52
The Gut Reset
Expert on camera, benefit stack, guarantee close — built to convert cold traffic.
0:29
Character Over Skill
Moving-car interview cut around one idea, with type carrying the emphasis.
0:37
Fabric That Snatches
Showroom walkthrough into colour-blocked macro shots of the product.
0:27
Cold Plunge, Wrong Timing
Serif caption system, breath-tight pacing, one idea per cut.
0:41
Changing Clip Styles
Word-by-word caption animation with the accent colour landing on the punchline.
1:08
Utility Over Vanity
Talking head with lower thirds and full-frame type beats between points.
0:56
Today’s Guest
Podcast title sequence: kinetic type, aerial plates, graphic beats on the beat.
2:11
The Message
Sales letter cut with highlight captions and proof inserts, paced to hold.
Long form
Full episodes
How it runs
From brief to master,
the same way every time
1The timeline
Step 01Brief & rushes
You send footage, a reference, or just the idea. You get back a scoped plan before the first cut.
Step 02Assembly & rough cut
Story first — the spine of the piece, rhythm locked, nothing on the timeline that doesn't move it.
Step 03Captions & motion
Word-level captions, titles and inserts built to carry the point on a muted phone screen.
Step 04Grade, mix & master
Colour and sound finished together, then platform masters for every canvas you need.
2What you get
IncludedOne editor, brief to master
No hand-offs. The person who heard the brief grades the final frame.
IncludedPlatform masters
9:16, 1:1 and 16:9 from the same cut, captions burned or separate.
IncludedRevisions until it lands
Scoped up front, then worked until the piece does its job.
On requestProject files
Full-resolution masters are yours; source projects handed over when you need them.
Ways to work
Pick the lane
Single cut
- One ad, short or opener
- Captions, motion, grade, mix
- Platform masters included
Episode + shorts
- Full multicam episode
- Cold open and chapters
- Vertical shorts from the same master
Monthly lane
- A standing slot on the calendar
- Hook and angle variants
- White-label for agencies
Every quote is scoped to the brief — tell me what you need and you get an honest number back, fast.
Notes
From the timeline
Short form
Six seconds is a feature film
What cutting hundreds of short ads teaches you about respecting one second of attention.
Colour
The grade is a character
Why colour decisions belong in the edit, not bolted on after it.
Workflow
Machines in the edit bay
Where AI earns a track on the timeline — and where it never will.
FAQs
Questions? Look here.
Contact
Let’s talk about your next cut
Send the footage, a reference, or just the idea. You get a scoped plan back — deliverables, timeline, price — before anything lands on a timeline.